• Liz Lawrence: Peanuts tour review
    Liz Lawrence: Peanuts tour review

    The 34-year old London-based indie rock/ folk singer/ songwriter Liz Lawrence returns to the road with her fourth studio album, Peanuts. As experimental and genre-subversive as ever, an ‘indie rock’ label isn’t in fact sufficient to describe anymore; the bass is amped up, the rock riffs are catchy, there are elements of funk, pop, sometimes…

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  • The Wondrous Conveyance of Stella Estrella 
    The Wondrous Conveyance of Stella Estrella 

    A one-woman show in a small black box theater above a Camden pub could hardly be a bad idea for an autumnal evening, no less so given it’s starring the multi-talented LAMDA graduate Kylie Brady. Brady takes it away as an equally talented medium Stella Estrella, as the eighth daughter (her twin sister having died)…

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  • Dare la vita, by Michela Murgia
    Dare la vita, by Michela Murgia

    In this essay-pamphlet, Michela Murgia enters the debate on surrogacy, which has been on the Italian political agenda over the past few years. With the hostility of the present government towards this practice, surrogacy has very recently been declared ‘Universal crime’.

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  • Sheol
    Sheol

    5 stars – powerfully unsettling Sheol is the name of the afterworld in ancient Hebrew traditions. According to different textual sources, it has either positive connotations to it, or negative, or neither. A soprano and three musicians are the characters of this performance created by the Grotowski Institute and Katowice Miasto Ogrodów.

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  • Inside and Prejudice
    Inside and Prejudice

    2 stars – engaging but unripe How does a girl from a Pakistani family but born and raised in Scotland see the world? Ifrah Qureshi provides some answers to this question in her solo show, her first attempt at long-form stand-up comedy.

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  • 100% My Type on Paper
    100% My Type on Paper

    3 stars – between reality and… a reality (show) Sammy and Clyde apparently meet for their first date, feeling slightly awkward and embarrassed. Yes, apparently, because it doesn’t take long to understand that they are the protagonists of a reality show: at their next attempt, the Producer appears to tell them how to act and…

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  • My Therapist is Dying
    My Therapist is Dying

    Ashley Gavin is iconic. In the past weeks, her show My Therapist is Dying guaranteed her a sold-out Fringe run. As the title promises, it is a bittersweet performance, even though the jokes are fast-paced and flowing almost uninterrupted.

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  • The Blueswater
    The Blueswater

    Foot-tapping the night away like it’s the ’50s. The Blueswater is an energetic blues band hailing from Edinburgh, which does come as quite a surprise. The second they start the concert, one could be in Chicago or Mississippi, in a different era too. Prepare to dance, sweat and sing along to old-school rhythm and blues…

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  • I Sell Windows
    I Sell Windows

    3 stars – compelling performance Kacie is an aspiring actress who also sells windows on the local market as a side-hustle. Her first sales prove her that it isn’t an impossible task, but other events in her life bring her further away from this job.

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  • Hairy Situation
    Hairy Situation

    5 stars – prophetess of hope ALOK Vaid-Menon’s stage figure is modest and calm. In Hairy Situation, stories and jokes are drawn from various sources of inspiration and touch a series of themes, from the setting of the performance itself, to uncomfortable moments from their life, to eventually land on the topic of body hair.

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  • Worse Than You
    Worse Than You

    4 stars – clever, witty and wonderfully performed. To review Mo Fry Pasic’s fast-paced solo show does require quite a bit of afterthought. It’s rich from minute one; before Mo even gets on stage we see screenings of ironic old-school notices such as: “Throw your gums out!” or: “Everyone, look under your seats, there’s a…

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  • Don’t Call Me China Doll
    Don’t Call Me China Doll

    4 stars – impactful and fundamental China Doll is an East Asian looking actress. While dreaming of playing the roles of Anna May Wong, Hollywood’s first Chinese American star, she is also employed in Susie’s laundromat.

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